{"id":6251,"date":"2022-01-17T12:18:29","date_gmt":"2022-01-17T12:18:29","guid":{"rendered":"http:\/\/campusaltea.umh.es\/?page_id=6251"},"modified":"2023-02-15T16:26:05","modified_gmt":"2023-02-15T16:26:05","slug":"divulga","status":"publish","type":"page","link":"https:\/\/campusaltea.umh.es\/en\/internacional\/divulga\/","title":{"rendered":"Divulga"},"content":{"rendered":"<p><\/p>\n<h2 style=\"text-align: justify\">Divulga<\/h2>\n<p style=\"text-align: justify\"><span dir=\"ltr\"><span style=\"font-family: tahoma,sans-serif\"><span id=\"result_box\" class=\"\" lang=\"es\"><span class=\"\">El programa DIVULGA de la Universidad Miguel Hern\u00e1ndez tiene como objetivo registrar las conferencias de los profesores visitantes, creando un archivo que permite acceder a este material en l\u00ednea.<\/span> <span class=\"\">Aqu\u00ed puede encontrar las conferencias impartidas en el Campus de Altea.<\/span><\/span><\/span><\/span><\/p>\n<div  class=\"ut-one-third  \">\n<h3>IDENTITY&#8217;S IMPACT ON CREATIVITY<\/h3>\n<p>Monika Fischbein<br \/>\nPlymouth College of Art,<br \/>\nReino Unido.<br \/>\n<iframe  id=\"_ytid_82560\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Zw6gGM97OuQ?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>AGNOSTICS OBJECTS: THINGS PERSIST<\/h3>\n<p>Daniel Laskarin<br \/>\nUniversity of Victoria<br \/>\nCanada<br \/>\n<iframe  id=\"_ytid_79508\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/2MW99JnacBo?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>CULTURES OF COLLABORATION<\/h3>\n<p>Simon Lewandowski<br \/>\nUniversity of Leeds<br \/>\nReino Unido<br \/>\n<iframe  id=\"_ytid_78490\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/gs-Bg91eCsg?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>TECHNOLOGY AS FAITH AND COLLABORATION AS PRAXIS<\/h3>\n<p>Carl-Erik Engqvist<br \/>\nUmea University<br \/>\nSuecia<br \/>\n<iframe  id=\"_ytid_61987\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/lqvMDerU2hI?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>EST\u00c9TICA DEL PAISAJE: TEOR\u00cdA Y PR\u00c1CTICA<\/h3>\n<p>Thomas Heyd<br \/>\nUniversidad de Victoria<br \/>\nCanad\u00e1<br \/>\n<iframe loading=\"lazy\"  id=\"_ytid_41712\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/1YTrp9gNa88?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>12 BIENAL DE LA HABANA: UNA MIRADA CR\u00cdTICA A LA MEGA EXPOSICI\u00d3N<\/h3>\n<p>Jorge Fern\u00e1ndez Torres<br \/>\nMuseo Nacional de Bellas Artes<br \/>\nCuba<br \/>\n<iframe  id=\"_ytid_89735\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/W_Dys5QhSEo?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>LA RELACI\u00d3N DE LAS CLASES SOCIALES Y EL G\u00c9NERO EN LA INVESTIGACI\u00d3N SOCIOL\u00d3GICA<\/h3>\n<p>Gabriela G\u00f3mez Rojas<br \/>\nDpto. Sociolog\u00eda, U. Buenos Aires.<br \/>\nArgentina<br \/>\n<iframe  id=\"_ytid_40177\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/jxCUtVBoGy4?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>VISUALIDADES DESCOLONIALES Y OTRAS TORCEDURAS DESDE AM\u00c9RICA LATINA<\/h3>\n<p>Ri\u00e1nsares Lozano<br \/>\nIvestigadora IIE. Univesidad Autonoma<br \/>\nMexico<br \/>\n<iframe  id=\"_ytid_52396\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Po4vnh-yO70?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>&#8216;RE-NEGOTIATING TIME AN PLACE&#8217; EXEMPLIFIED IN THE WORK OF BROOK AND BLACK<\/h3>\n<p>Tiffany Black<br \/>\nSenior Lecturer School of Arts, Brookes<br \/>\nReino Unido<br \/>\n<iframe loading=\"lazy\"  id=\"_ytid_97157\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8qav-5SzbTY?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>MATERIALIZING<br \/>\nTIME AND SPACE<\/h3>\n<p>Emily Hermant Assistant<br \/>\nProfessor Emily Carr University Art + Design<br \/>\nVancouver, Canada<br \/>\n<iframe  id=\"_ytid_51677\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/bl9r4JNWY30?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>DAVID MACWILLIAN PAINTINGS<br \/>\n1977-2017<\/h3>\n<p>David MacWilliam<br \/>\nEmeritus Professor Emily Carr University Art+Design, Vancouver, Canada<br \/>\n<iframe  id=\"_ytid_33007\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/9OvRrN83uRU?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>HOW CAN ONE THINK FREELY IN THE SHADOW OF A CHAPEL?<\/h3>\n<p>Micael Norberg<br \/>\nAssociate Professor Fine Arts Academy.<br \/>\nUme\u00e5 University<br \/>\n<iframe  id=\"_ytid_51051\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/XQSl9otFy2g?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>R\u00c9GIMEN LIVE: ONTOLOG\u00cdA DE LAS IM\u00c1GENES Y REALISMO CAPITALISTA<\/h3>\n<p>Sayak Valencia Doctora en filosof\u00eda teor\u00eda y cr\u00edtica feminista.<br \/>\nColegio de la Frontera Norte, CONACYT, Tijuana<br \/>\n<iframe loading=\"lazy\"  id=\"_ytid_36037\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/M83g0pWgT18?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=0&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>WORK IN<br \/>\nANIMATION<\/h3>\n<p>Graham G. Maiden<br \/>\nArtista, animador y supervisor de marionetas en rodajes de cine.<br \/>\n<iframe  id=\"_ytid_67172\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/GYM52Ruycdo?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>DIBUJANDO SUE\u00d1OS<br \/>\nPARA LA GRAN PANTALLA<\/h3>\n<p>Paco S\u00e1ez<br \/>\nDibujante realizador.<\/p>\n<p><iframe  id=\"_ytid_40678\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/pihVu6z3irM?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>ENERGETIC CONDUITS. FUNCTIONALITY MEETS THE SUBLIME<\/h3>\n<p>Leigh Bridges<br \/>\nAssistant Professor of Art and Desingn<br \/>\nUniversity of Manitoba, CA<\/p>\n<p><iframe  id=\"_ytid_21602\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/EP3gTOyo7Bg?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>LA VOZ DEL\/A ARTISTA COMO HERRAMIENTA FUNDAMENTAL EN LA CONSERVACI\u00d3N DEL ARTE DEL S. XXI<\/h3>\n<p>Ruth del Fresno<br \/>\nConservadora de arte contempor\u00e1neo.<br \/>\nVoces in Contemporary Art, VoCA, NY<br \/>\n<iframe  id=\"_ytid_64016\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/Rm5dPA1lrSg?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>G\u00c9NEROS Y FEMINISMOS EN EL ARTE DEL SUDESTE ASI\u00c1TICO<\/h3>\n<p>Cristina Nualart<br \/>\nGrupo Investigaci\u00f3n Asia GIA<br \/>\nUniversidad Complutense de Madrid<\/p>\n<p><iframe  id=\"_ytid_47578\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/uZ5HmgUTp04?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>&#8220;JO SOC UNA PROFESSORETA&#8221; CONOCIMIENTO KINEST\u00c9TICO EN LAS ACCIONES DE FINA MIRALLES<\/h3>\n<p>Celia Vara<br \/>\nDoctora en filosof\u00eda.<br \/>\nConcoria University, Quebec, CANADA.<br \/>\n<iframe  id=\"_ytid_99103\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/U-LizSB6I8w?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>FROM SCULPTURE TO AN APPLICATION IN LESS THAN 60 MINUTES<\/h3>\n<p>Daniel Young and Christian Giroux<br \/>\nAssociate Professor and Artist<br \/>\nUniversity of Guelph, CA<br \/>\n<iframe  id=\"_ytid_52649\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/dgkwc2yMdQs?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<h3>THE GRAND SCHEME OF THINGS<\/h3>\n<p>David Clark<br \/>\nArtist and Teacher of Expanded Media<br \/>\nNova Scotia College of Art and Desing, CA<br \/>\n<iframe  id=\"_ytid_31992\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/XpWPkVnI3Fs?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div><div class=\"clear\"><\/div>\n<div  class=\"ut-one-third  \">\n<h3>FEMINISMO COSIDO<br \/>\nCON RABIA Y CARI\u00d1O.<\/h3>\n<p>Las culpass<br \/>\nModa feminista.<br \/>\nMurcia.<br \/>\n<iframe  id=\"_ytid_19202\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/c5SmGiBsEVk?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third  \">\n<h3>THE LANDMARK OF THOUGHT.<\/h3>\n<p>Jesse Thomas<br \/>\nDepartamento de Arte y Dise\u00f1o<br \/>\nUniversidad de Alberta, Canad\u00e1.<br \/>\n<iframe  id=\"_ytid_35230\"  width=\"800\" height=\"450\"  data-origwidth=\"800\" data-origheight=\"450\" src=\"https:\/\/www.youtube.com\/embed\/FlxDQRhzHNw?enablejsapi=1&autoplay=0&cc_load_policy=0&cc_lang_pref=&iv_load_policy=1&loop=0&modestbranding=0&rel=1&fs=1&playsinline=0&autohide=2&theme=dark&color=red&controls=1&\" class=\"__youtube_prefs__  no-lazyload\" title=\"YouTube player\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><br \/>\n<\/div>\n<div  class=\"ut-one-third ut-column-last  \">\n<\/div><div class=\"clear\"><\/div><\/p>","protected":false},"excerpt":{"rendered":"<p>Divulga El programa DIVULGA de la Universidad Miguel Hern\u00e1ndez tiene como objetivo registrar las conferencias de los profesores visitantes, creando un archivo que permite acceder a este material en l\u00ednea. Aqu\u00ed puede encontrar las conferencias impartidas en el Campus de Altea.<\/p>\n","protected":false},"author":469,"featured_media":0,"parent":4166,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages\/6251"}],"collection":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/users\/469"}],"replies":[{"embeddable":true,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/comments?post=6251"}],"version-history":[{"count":0,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages\/6251\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages\/4166"}],"wp:attachment":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/media?parent=6251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}