{"id":4976,"date":"2017-02-07T12:31:33","date_gmt":"2017-02-07T12:31:33","guid":{"rendered":"http:\/\/campusaltea.umh.es\/?page_id=4976"},"modified":"2017-04-03T11:42:26","modified_gmt":"2017-04-03T11:42:26","slug":"lourdes-santamaria-blasco","status":"publish","type":"page","link":"https:\/\/campusaltea.umh.es\/en\/lourdes-santamaria-blasco\/","title":{"rendered":"Lourdes Santamaria Blasco"},"content":{"rendered":"<p><div  class=\"ut-one-half  \">\n<p><img loading=\"lazy\" class=\"alignright wp-image-5409 size-full\" src=\"http:\/\/campusaltea.umh.es\/files\/2017\/02\/Lourdes2.jpg\" alt=\"Lourdes2\" width=\"750\" height=\"735\" srcset=\"https:\/\/campusaltea.umh.es\/files\/2017\/02\/Lourdes2.jpg 750w, https:\/\/campusaltea.umh.es\/files\/2017\/02\/Lourdes2-300x294.jpg 300w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/p>\n<\/div>\n<div  class=\"ut-one-half ut-column-last  \">\n<h4>Lourdes Santamaria Blasco<\/h4>\n<p>Lourdes Santamar\u00eda Blasco heads two areas of theoretical and practical research: on one side are her investigations of cultural studies, specializing in the monstrous in art, film and literature. On the other hand, there are her gender studies. Her research has been presented at international conferences such as &#8220;Miradas sobre la sexualidad en el arte en Espa\u00f1a y Francia\u201d (&#8220;Perspectives on sexuality in art in Spain and France&#8221;, UV and UPV, 2000), \u201cCultura y g\u00e9nero: la cultura en el cuerpo\u201d (&#8220;Culture and Gender: culture in the body&#8221;, UMH, 2009), and \u201cArte, literatura y cultura g\u00f3tica urbana\u201d (&#8220;Art, urban Gothic literature and culture&#8221;, UAM and UCM, 2012, 2013, 2015).<\/p>\n<p>In 2001 she received an award from the Catalan Critics Association for her texts Historia de Oppenheim y Sal\u00f2-Sade(History Oppenheim and Sal\u00f2-Sade). An approach to the work of Pier Paolo Pasolini. Her essays have been published in books, magazines and specialised websites.<\/p>\n<p>Her theoretical investigations are reflected in her art works, focusing on discourses on gender, through images where beauty and the sinister converge.<\/p>\n<\/div><div class=\"clear\"><\/div>\n<hr \/>\n<div  class=\"ut-one-half  \">\n<h5>Additional information<\/h5>\n<div id=\"ut-accordion-parent-12\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-12\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion11\">Fields of Interest<\/a><\/div><div id=\"accordion11\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Aesthetic theory and practice of photography; theory and art criticism.<\/li>\n<li>Design, construction and stage productions and installations<\/li>\n<li>Contemporary sculpture techniques.<\/li>\n<li>Photomontage, digital retouching, and transfers.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-13\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-13\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion12\">Studies<\/a><\/div><div id=\"accordion12\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Licenciada en Bellas Artes, Facultad de Bellas Artes de San Carlos de Valencia, Universidad Polit\u00e9cnica de Valencia, 1997.<\/li>\n<li>Doctora por la Universidad Polit\u00e9cnica de Valencia, 2008.<\/li>\n<li>Graduada en Artes Aplicadas y Oficios T\u00e9cnicos Art\u00edsticos. Valencia, 1981<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-14\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-14\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion13\">Doctoral thesis<\/a><\/div><div id=\"accordion13\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<p><em>Figuras del Exceso y Pol\u00edticas del Cuerpo. Representaciones de Sexualidades Extremas en el Arte Contempor\u00e1neo<\/em>, sobresaliente <em>cum laude<\/em>.<\/p>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-15\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-15\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion14\">Areas of Research<\/a><\/div><div id=\"accordion14\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Cultural studies (urban Gothic culture) and visual studies.<\/li>\n<li>Queer art studies.<\/li>\n<li>Gender studies.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-16\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-16\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion15\">Link to personal web page<\/a><\/div><div id=\"accordion15\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li><a href=\"http:\/\/fidex.umh.es\">http:\/\/fidex.umh.es<\/a><\/li>\n<li><a href=\"http:\/\/www.misterica.net\/\">http:\/\/www.misterica.net\/<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-17\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-17\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion16\">Group exhibition<\/a><\/div><div id=\"accordion16\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li><em>Extensi\u00f3n de Fidex en la Casa del Cable<\/em>, Centre D\u00b4Art Casa del Cable, J\u00e1vea (Alicante), 2015.<\/li>\n<li><em> Grimorio Sexual del Grupo Fidex,<\/em> Centre de Cultura Contempor\u00e1nia, Valencia, 2015.<\/li>\n<li><em>El aula invertida: Estrategias pedag\u00f3gicas y pr\u00e1cticas art\u00edsticas<\/em>, Fundaci\u00f3n La Posta, Valencia, 2014, comisaria: Mar\u00eda Tinoco, cat\u00e1logo.<\/li>\n<li><em>Plexo de Fidex en Ca Lambert<\/em>, J\u00e1vea (Alicante), 2014.<\/li>\n<\/ul>\n<ul>\n<li><em>\u00c9xtasis de Fidex en L\u00b4Estaci\u00f3<\/em>, Centre d\u00b4art L\u00b4Estaci\u00f3, Denia (Alicante), 2014.<\/li>\n<\/ul>\n<ul>\n<li><em>C\u00f3rtex de FIDEX en Es Polvor\u00ed, <\/em>Ca Vila, Fundaci\u00f3n Bale\u00e0ria, Ibiza, 2013, cat\u00e1logo.<\/li>\n<\/ul>\n<ul>\n<li><em>Corpus FIDEX en Aifos<\/em>, Sala Aifos de la Universitat de Alicant, 2012, cat\u00e1logo.<\/li>\n<\/ul>\n<ul>\n<li><em>Disecciones y variaciones. Fragmentos y divagaciones corporales<\/em>, Centre Civic Sagunto, Valencia, 2011, cat\u00e1logo.<\/li>\n<\/ul>\n<ul>\n<li><em>Exceso de FIDEX en Frax<\/em>, Fundaci\u00f3n Frax, Alfaz del P\u00ed (Alicante), 2011, cat\u00e1logo.<\/li>\n<\/ul>\n<ul>\n<li><em>Figuras del exceso, pol\u00edticas del cuerpo<\/em>, Sala exposiciones Edificio Rectorado UMH, Elche (Alicante), 2009, cat\u00e1logo.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-18\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-18\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion17\">Books<\/a><\/div><div id=\"accordion17\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, &#8220;Radiograf\u00eda del fetichismo. Cad\u00e1ver exquisito # Porno- Anat\u00f3mico&#8221;, en AA.VV., <em>El aula invertida<\/em>, Fundaci\u00f3n la Posta, Valencia, 2015.<\/li>\n<\/ul>\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, <em>et al<\/em>., &#8220;Los lenguajes est\u00e9ticos y conceptuales de las vanguardias y su influencia en el \u00e1mbito de las instalaciones contempor\u00e1neas&#8221;, en AA.VV., <em>Cultura y t\u00e1cticas est\u00e9ticas<\/em>, grupo net, Universidad de M\u00e1laga (Espa\u00f1a), 2014.<\/li>\n<\/ul>\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, <em>Figuras del Exceso y Pol\u00edticas del cuerpo. Representaciones de sexualidades extremas en el Arte y la Literatura del siglo XX<\/em>, Universidad Polit\u00e9cnica de Valencia, 2009.<\/li>\n<\/ul>\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, &#8220;Cronolog\u00eda. 1968-2001&#8221;, en <em>Micropol\u00edticas. Arte y Cotidianeidad (2001-1968)<\/em>, Consorcio de Museos de la Comunidad Valenciana, EACC, 2003.<\/li>\n<\/ul>\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, &#8220;Historia de O(ppenheim)&#8221;, en <em>Miradas sobre la Sexualidad en el Arte y la Literatura del siglo XX en Francia y Espa\u00f1a<\/em>, Universidad de Valencia y UPV, 2000.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-19\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-19\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion18\">Magazine articles<\/a><\/div><div id=\"accordion18\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Santamar\u00eda Blasco, Lourdes, &#8220;El bestiario monstruoso de <em>El Jard\u00edn de los Suplicios<\/em> de El Bosco\u201d, en <em>Mist\u00e9rica<\/em>, N\u00ba 7, Asociaci\u00f3n cultural Mentenebre, Madrid, 2016.<\/li>\n<li>Santamar\u00eda Blasco, Lourdes, \u201cUna m\u00e1rtir del fanatismo. Misterios y pecados de la Inquisici\u00f3n portuguesa\u201d, en <em>Mist\u00e9rica. Terra Secreta<\/em>, Asociaci\u00f3n cultural Mentenebre, Madrid, 2015.<\/li>\n<li>Santamar\u00eda Blasco, Lourdes, \u201cAsesinos victorianos en la Rep\u00fablica de Weimar. De psychokillers y femmes fatales\u201d, en <em>Herej\u00eda y belleza<\/em>, Asociaci\u00f3n cultural Mentenebre, Madrid, 2014.<\/li>\n<li>Santamar\u00eda Blasco, Lourdes, \u201c\u00bfQu\u00e9 me pasa doctor Freud? Una aproximaci\u00f3n a lo siniestro en el arte y la cybercultura, y en ep\u00edlogo g\u00f3tico contempor\u00e1neo\u201d, en <em>Herej\u00eda y belleza<\/em>, Asociaci\u00f3n cultural Mentenebre, Madrid, 2013.<\/li>\n<li>Santamar\u00eda Blasco, Lourdes, \u201cSalo-Sade. Una aproximaci\u00f3n a la obra de Pier Paolo Pasolini\u201d, en <em>Papers d\u00b4art<\/em>, Fundacio Espais d\u00b4Art Contemporani, Girona, 2002.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-20\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-20\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion19\">Curatorship<\/a><\/div><div id=\"accordion19\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li><em>Rue des mauvais gar\u00e7ons<\/em>, Espacio cultural La Nube. Tapineria, Valencia,<\/li>\n<li><em>Pasajes velados<\/em>. Fundaci\u00f3n Frax, Alfas del Pi (Alicante), 2010, cat\u00e1logo.<\/li>\n<li><em>Haz mat. Materiales peligrosos#13 en discordia, <\/em>Fundaci\u00f3n Frax, Alfas del Pi (Alicante), 2010, cat\u00e1logo.<\/li>\n<li><em>Sobre visiones contempor\u00e1neas de escultura<\/em>, Hotel Mont\u00edboli, Vila Joiosa (Alicante), 2008.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-21\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-21\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion20\">Awards and Scolarship<\/a><\/div><div id=\"accordion20\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li>Menci\u00f3n Especial, IV edici\u00f3n premio Escritos sobre arte, Fundaci\u00f3n Arte y Derecho, por el texto titulado <em>Un arte de sensaciones insoportables<\/em>, 2008.<\/li>\n<li>Premio a un Trabajo de cr\u00edtica art\u00edstica publicado en 2001, XIV\u00aa edici\u00f3 premi Espais a la creaci\u00f3 i a la cr\u00edtica d\u2019art, por el texto <em>Historia de O(ppenheim)<\/em>, 2002.<\/li>\n<li>Menci\u00f3n especial del jurado en la modalidad de Ensayo in\u00e9dito, XIV\u00aa edici\u00f3 premi Espais a la creaci\u00f3 i a la cr\u00edtica d\u2019art, por el texto <em>Sal\u00f2-Sade. Una aproximaci\u00f3n a la obra de Pier PaoloPasolini<\/em>, 2002.<\/li>\n<\/ul>\n<\/div><\/div>\n<div id=\"ut-accordion-parent-22\" class=\"ut-accordion\"><div class=\"ut-accordion-group\"><\/div><\/div> <div class=\"ut-accordion-heading \"><a data-parent=\"#ut-accordion-parent-22\" class=\"accordion-toggle collapsed \" data-toggle=\"collapse\" data-target=\"#accordion21\">Other<\/a><\/div><div id=\"accordion21\" class=\"ut-accordion-body collapse\"><div class=\"ut-accordion-inner entry-content clearfix\">\n<ul>\n<li><em>IV Congreso de arte, literatura y cultura g\u00f3tica urbana,<\/em> comunicaci\u00f3n oral, Universidad Aut\u00f3noma de Madrid, 2014.<\/li>\n<li><em>Encuentro de literatura de la Semana g\u00f3tica de Madrid<\/em>, conferencia invitada, Museo del Romanticismo, Madrid, 2013.<\/li>\n<li><em>I Congreso de arte, literatura y cultura g\u00f3tica urbana,<\/em> comunicaci\u00f3n oral, Universidad Aut\u00f3noma de Madrid, 2012.<\/li>\n<li><em>I Congreso internacional de cultura y g\u00e9nero<\/em>: <em>la cultura en el cuerpo<\/em>, comunicaci\u00f3n oral, Universidad Miguel Hern\u00e1ndez de Elche, 2009.<\/li>\n<li>Investigadora en el Proyecto de investigaci\u00f3n Cuerpos\/sexualidades her\u00e9ticas y pr\u00e1cticas art\u00edsticas, financiado por Proyectos de investigaci\u00f3n cient\u00edfica y desarrollo tecnol\u00f3gico, Bancaja-UMH, 2009.<\/li>\n<li>Investigadora del Proyecto de investigaci\u00f3n de I+D: Cuerdas: Centro on-line para usos de estudio y recursos de documentaci\u00f3n art\u00edstico-te\u00f3ricos vinculados al binomio sexo-g\u00e9nero, financiado por Beca UMH-Bancaja, R.R.1570\/08 del 03\/12\/2008.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<div  class=\"ut-one-half ut-column-last  \">\n<p>\n\t\t\t<!-- START lourdes REVOLUTION SLIDER 6.5.14 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_31_2_wrapper\" data-source=\"gallery\" 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\n\t\t\t\t\t\t\t\tdata-type=\"text\"\n\t\t\t\t\t\t\t\tdata-color=\"rgba(0,0,0,1)\"\n\t\t\t\t\t\t\t\tdata-rsp_ch=\"on\"\n\t\t\t\t\t\t\t\tdata-xy=\"x:905px;y:24px;\"\n\t\t\t\t\t\t\t\tdata-text=\"s:26;l:22;fw:600;\"\n\t\t\t\t\t\t\t\tdata-frame_0=\"tp:600;\"\n\t\t\t\t\t\t\t\tdata-frame_1=\"tp:600;e:power2.inOut;st:500;\"\n\t\t\t\t\t\t\t\tdata-frame_999=\"o:0;tp:600;e:nothing;st:w;\"\n\t\t\t\t\t\t\t\tstyle=\"z-index:5;font-family:'';\"\n\t\t\t\t\t\t\t>Anatomie pret a porter \n\t\t\t\t\t\t\t<\/rs-layer><!--\n-->\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-224\" data-title=\"Slide\" data-thumb=\"\/\/campusaltea.umh.es\/files\/2017\/02\/Anatomy-peep-show-100x50.jpg\" data-anim=\"ms:600;\" data-in=\"o:0;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img src=\"\/\/campusaltea.umh.es\/wp-content\/plugins\/revslider\/public\/assets\/assets\/dummy.png\" alt=\"\" title=\"Lourdes Santamaria Blasco\" class=\"rev-slidebg tp-rs-img rs-lazyload\" 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\n\t\t\t\t\t\t\t\tdata-type=\"text\"\n\t\t\t\t\t\t\t\tdata-color=\"rgba(255,255,255,1)\"\n\t\t\t\t\t\t\t\tdata-rsp_ch=\"on\"\n\t\t\t\t\t\t\t\tdata-xy=\"x:23px;y:45px;\"\n\t\t\t\t\t\t\t\tdata-text=\"s:26;l:22;fw:600;\"\n\t\t\t\t\t\t\t\tdata-frame_0=\"tp:600;\"\n\t\t\t\t\t\t\t\tdata-frame_1=\"tp:600;e:power2.inOut;st:500;\"\n\t\t\t\t\t\t\t\tdata-frame_999=\"o:0;tp:600;e:nothing;st:w;\"\n\t\t\t\t\t\t\t\tstyle=\"z-index:5;font-family:'';\"\n\t\t\t\t\t\t\t>Radiografia del fetichismo_Escoptofilia \n\t\t\t\t\t\t\t<\/rs-layer><!--\n-->\t\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t<\/rs-module>\n\t\t\t\t<script>\n\t\t\t\t\tsetREVStartSize({c: 'rev_slider_31_2',rl:[1240,1024,778,480],el:[],gw:[1240],gh:[868],type:'standard',justify:'',layout:'fullwidth',mh:\"0\"});if (window.RS_MODULES!==undefined && window.RS_MODULES.modules!==undefined && window.RS_MODULES.modules[\"revslider312\"]!==undefined) {window.RS_MODULES.modules[\"revslider312\"].once = false;window.revapi31_2 = undefined;if (window.RS_MODULES.checkMinimal!==undefined) window.RS_MODULES.checkMinimal()}\n\t\t\t\t<\/script>\n\t\t\t<\/rs-module-wrap>\n\t\t\t<!-- END REVOLUTION SLIDER -->\n<br \/>\n<\/div><div class=\"clear\"><\/div><\/p>","protected":false},"excerpt":{"rendered":"Lourdes Santamaria Blasco Lourdes Santamar\u00eda Blasco heads two areas of theoretical and practical research: on one side are her investigations of cultural studies, specializing in the monstrous in art, film and literature. On the other hand, there are her gender studies. Her research has been presented at international conferences such as \"Miradas sobre la sexualidad [...]","protected":false},"author":469,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages\/4976"}],"collection":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/users\/469"}],"replies":[{"embeddable":true,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/comments?post=4976"}],"version-history":[{"count":0,"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/pages\/4976\/revisions"}],"wp:attachment":[{"href":"https:\/\/campusaltea.umh.es\/en\/wp-json\/wp\/v2\/media?parent=4976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}