![\"\"](\"http:\/\/campusaltea.umh.es\/files\/2016\/10\/Deif1.jpg\")
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David Vila Moscard\u00f3<\/h4>\n
He is a member of the FIDEX Research Group (“Figuras del Exceso y Pol\u00edticas del Cuerpo”, Figures of Excess and Policy of the Body) through which he develops a line of work that is conceptually limited to issues related to gender discourses. He is also a member of the art group Proyectos Popl\u00edteos (“Knee pit Projects”), working with the body as three-dimensional support in order to carry out performative studies on issues related to sexuality and pleasure.\u00a0 His training in this field includes giving courses with artists such as Marina Abramovic or Esther Ferrer.<\/p>\n
He is an active artist in charge of cultural management, organising exhibitions and artistic events of various kinds. He has participated in numerous solo and group exhibitions, held both nationally and internationally.<\/p>\n
He has worked with sculptor Jaume Esp\u00ed, developing monumental projects installed in numerous sites in different European countries. He has also developed stage sets for performances of internationally renowned artists such as Angelica Liddell, or Fernando Renjifo.<\/p>\n
Among his areas of research the development of new sculptural proposals based on the development of metal casting, especially the bronze, stand out.<\/p>\n<\/div>
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Additional information<\/h5>\n Fields of interest<\/a><\/div>\n\n- Metal casting techniques.<\/li>\n
- Construction with metal and other sculptural materials techniques.<\/li>\n
- Subtractive sculpting techniques.<\/li>\n
- Conceptualization techniques: Techniques of conceptualization of the idea for a later realization of the sculptural work.<\/li>\n
- Design strategies for exhibition settings.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Studies<\/a><\/div>\n
\n- Doctor en Bellas Artes por la Universidad Miguel Hern\u00e1ndez, 2015.<\/span><\/li>\n
- Diploma de estudios avanzados por la Universidad Miguel Hern\u00e1ndez, 2010.<\/span><\/li>\n
- Estancia formativa de nueve meses especializada en fundici\u00f3n art\u00edstica en la Facultad de Bellas Artes de la Universidad de La Laguna, 2008.<\/span><\/li>\n
- Estancia formativa de nueve meses en la Accademia di Belle Arti di Roma, 2005.<\/span><\/li>\n
- Licenciado en Bellas Artes por la Universidad Miguel Hern\u00e1ndez, 2008.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Doctoral thesis<\/a><\/div>\n
La revoluci\u00f3n de la cascarilla cer\u00e1mica. Estudio de dos casos de aplicaci\u00f3n en la fundici\u00f3n art\u00edstica valenciana actual: La facultad de Bellas Artes de Altea, la empresa del artista Jaume Esp\u00ed, 2015, sobresaliente cum laude<\/em>.<\/p>\n<\/div><\/div>\n<\/div><\/div> Areas of research<\/a><\/div>\n\n- Sculpture-bodies and sexual practices.<\/li>\n
- Molten metal and expressive components.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Link to personal web page<\/a><\/div>\n
https:\/\/deifvila.wixsite.com\/davidvila<\/a><\/p>\nhttp:\/\/fidex.umh.es\/<\/a><\/p>\n<\/div><\/div>\n<\/div><\/div> Individual exhibitions<\/a><\/div>\n\n- Solstici.<\/span><\/i>\u00a0Sala de les Columnes de X\u00e1tiva. Comisario: Gustavo Morant.Cat\u00e1logo. 2018.<\/span><\/li>\n
- De cuerpo presente<\/span><\/i>. Museari. Comisarios: Ricard Huerta y German Espinarch. 2019.<\/span><\/li>\n
- Metamorfosi,\u00a0<\/span><\/i>Fundaci\u00f3n Frax. Comisarios: Mar\u00eda Jos\u00e9 Zan\u00f3n, Inma Mengual, Juan fco. Mart\u00ednez G\u00f3mez de Albacete, cat\u00e1logo. 2015.<\/span><\/li>\n
- Mearruinas,\u00a0<\/span><\/i>Tabacalera, Madrid. Comisario Alberto Nu\u00f1ez, 2012, Cat\u00e1logo.<\/span><\/li>\n
- Ven, re- descubre \u2013 te,\u00a0<\/span><\/i>LaC espacio expositivo \u2013 Altea, 2011.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Group exhibition<\/a><\/div>\n
\n- Altea destino La Habana. <\/span><\/i>La Habana, Cuba 2020.<\/span><\/li>\n
- The Collector.<\/span><\/i> M\u00e1laga, 2019.<\/span><\/li>\n
- Ejes Plurales.<\/span><\/i> Valencia, 2019.<\/span><\/li>\n
- Intangibles.<\/span><\/i> Alcoy, 2019.<\/span><\/li>\n
- T\u00f3xics. <\/span><\/i>Valencia, 2019.<\/span><\/li>\n
- Kulture Club<\/span><\/i>,\u00a0 Kulture Club, X\u00e1tiva (Valencia), 2016, comisaria: Irene Vila.<\/span><\/li>\n
- Menos es menos, m\u00e1s es menos, menos es m\u00e1s, m\u00e1s es m\u00e1s<\/span><\/i>, Fundaci\u00f3n Frax, Alfaz\u00a0 del P\u00ed\u00a0 (Alicante), 2016, cat\u00e1logo.<\/span><\/li>\n
- El porno s\u00ed es cultura<\/span><\/i>, Valencia Sex\u00a0Festival, Espai LLimera, Valencia, 2016, comisaria: Anarel.la Mart\u00ednez.<\/span><\/li>\n
- Pornosigilo Grimorio Sexual del Grupo\u00a0Fidex,<\/span><\/i>\u00a0Centre de Cultura Contempor\u00e1nia, Valencia, 2015.<\/span><\/li>\n
- El aula invertida: Estrategias\u00a0pedag\u00f3gicas y pr\u00e1cticas art\u00edsticas<\/span><\/i>, Fundaci\u00f3n La Posta, Valencia, 2014, comisaria: Mar\u00eda Tinoco, cat\u00e1logo.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Books<\/a><\/div>\n
\n- Vila, David. <\/span>Solstici<\/span><\/i>. Diputaci\u00f3n de Valencia. 2018.<\/span><\/li>\n
- AA. VV.,\u00a0<\/span>Tu coraz\u00f3n y el m\u00edo. Escrituras Estructuras. Aproximaciones en torno a la ret\u00f3rica visual y la construcci\u00f3n del sentido,\u00a0<\/span><\/i>Centro Nacional de investigaci\u00f3n y Documentaci\u00f3n e Informaci\u00f3n teatral Rodolfo Usigli, Chiuaua (M\u00e9xico), 2016.<\/span><\/li>\n
- Vila, David,\u00a0<\/span>Metamorfosis<\/span><\/i>, Pasionporloslibros, Valencia, 2016.<\/span><\/li>\n
- VV. AA.,\u00a0<\/span>Culo o Codo. El aula invertida: estrategias pedag\u00f3gicas desde la diversidad sexual,<\/span><\/i>\u00a0Fundaci\u00f3n La Posta, 2014.<\/span><\/li>\n
- Vila, David, \u00abCiclogenesis expulsiva\u00bb y \u00abPolvo\u00bb, en VV. AA.,\u00a0<\/span>Plexo de Fidex en Es Polvor\u00ed<\/span><\/i>, Pasionporloslibros, Ibiza, 2014.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Magazine articles<\/a><\/div>\n
\n- Vila, David, et al<\/em>., \u201cLa Magia de la Fundici\u00f3n\u201d, UMH Sapiens n\u00ba14<\/em>, Oficina de comunicaci\u00f3n UMH, Elche, 2016.<\/li>\n
- AA.VV., \u201cParlem d\u00b4Art… Amb David Vila\u201d, La LLoca: Revista anual de l\u00b4Associaci\u00f3 Cultural D\u00b4Antella CILIM<\/em>, Asociaci\u00f3n Cilim, Antella, 2007.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div> Curatorship<\/a><\/div>\n
\n- Bronce.Arte: Fundici\u00f3n Art\u00edstica Contempor\u00e1nea<\/span><\/i>. Palau Altea Centre D\u2019arts 2019, Cat\u00e1logo.<\/span><\/li>\n
- De 0 a 100, 2016<\/span><\/i>, Fundaci\u00f3n Frax, 2016, cat\u00e1logo.<\/span><\/li>\n
- Fusi\u00f3n B3A4, Fundaci\u00f3n Frax, 2014, cat\u00e1logo.<\/span><\/li>\n
- Quimera<\/span><\/i>, Fundaci\u00f3n Frax, 2013, cat\u00e1logo.<\/span><\/li>\n
- CreatxrsPro4.5<\/span><\/i>, Fundaci\u00f3n Frax, 2012, cat\u00e1logo.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
- \n
- Metal casting techniques.<\/li>\n
- Construction with metal and other sculptural materials techniques.<\/li>\n
- Subtractive sculpting techniques.<\/li>\n
- Conceptualization techniques: Techniques of conceptualization of the idea for a later realization of the sculptural work.<\/li>\n
- Design strategies for exhibition settings.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div>Studies<\/a><\/div>\n
- \n
- Doctor en Bellas Artes por la Universidad Miguel Hern\u00e1ndez, 2015.<\/span><\/li>\n
- Diploma de estudios avanzados por la Universidad Miguel Hern\u00e1ndez, 2010.<\/span><\/li>\n
- Estancia formativa de nueve meses especializada en fundici\u00f3n art\u00edstica en la Facultad de Bellas Artes de la Universidad de La Laguna, 2008.<\/span><\/li>\n
- Estancia formativa de nueve meses en la Accademia di Belle Arti di Roma, 2005.<\/span><\/li>\n
- Licenciado en Bellas Artes por la Universidad Miguel Hern\u00e1ndez, 2008.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
<\/div><\/div>Doctoral thesis<\/a><\/div>\nLa revoluci\u00f3n de la cascarilla cer\u00e1mica. Estudio de dos casos de aplicaci\u00f3n en la fundici\u00f3n art\u00edstica valenciana actual: La facultad de Bellas Artes de Altea, la empresa del artista Jaume Esp\u00ed, 2015, sobresaliente cum laude<\/em>.<\/p>\n<\/div><\/div>\n
<\/div><\/div>Areas of research<\/a><\/div>\n- \n
- Sculpture-bodies and sexual practices.<\/li>\n
- Molten metal and expressive components.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div><\/div>Link to personal web page<\/a><\/div>\n
https:\/\/deifvila.wixsite.com\/davidvila<\/a><\/p>\n
http:\/\/fidex.umh.es\/<\/a><\/p>\n<\/div><\/div>\n
<\/div><\/div>Individual exhibitions<\/a><\/div>\n- \n
- Solstici.<\/span><\/i>\u00a0Sala de les Columnes de X\u00e1tiva. Comisario: Gustavo Morant.Cat\u00e1logo. 2018.<\/span><\/li>\n
- De cuerpo presente<\/span><\/i>. Museari. Comisarios: Ricard Huerta y German Espinarch. 2019.<\/span><\/li>\n
- Metamorfosi,\u00a0<\/span><\/i>Fundaci\u00f3n Frax. Comisarios: Mar\u00eda Jos\u00e9 Zan\u00f3n, Inma Mengual, Juan fco. Mart\u00ednez G\u00f3mez de Albacete, cat\u00e1logo. 2015.<\/span><\/li>\n
- Mearruinas,\u00a0<\/span><\/i>Tabacalera, Madrid. Comisario Alberto Nu\u00f1ez, 2012, Cat\u00e1logo.<\/span><\/li>\n
- Ven, re- descubre \u2013 te,\u00a0<\/span><\/i>LaC espacio expositivo \u2013 Altea, 2011.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
<\/div><\/div>Group exhibition<\/a><\/div>\n- \n
- Altea destino La Habana. <\/span><\/i>La Habana, Cuba 2020.<\/span><\/li>\n
- The Collector.<\/span><\/i> M\u00e1laga, 2019.<\/span><\/li>\n
- Ejes Plurales.<\/span><\/i> Valencia, 2019.<\/span><\/li>\n
- Intangibles.<\/span><\/i> Alcoy, 2019.<\/span><\/li>\n
- T\u00f3xics. <\/span><\/i>Valencia, 2019.<\/span><\/li>\n
- Kulture Club<\/span><\/i>,\u00a0 Kulture Club, X\u00e1tiva (Valencia), 2016, comisaria: Irene Vila.<\/span><\/li>\n
- Menos es menos, m\u00e1s es menos, menos es m\u00e1s, m\u00e1s es m\u00e1s<\/span><\/i>, Fundaci\u00f3n Frax, Alfaz\u00a0 del P\u00ed\u00a0 (Alicante), 2016, cat\u00e1logo.<\/span><\/li>\n
- El porno s\u00ed es cultura<\/span><\/i>, Valencia Sex\u00a0Festival, Espai LLimera, Valencia, 2016, comisaria: Anarel.la Mart\u00ednez.<\/span><\/li>\n
- Pornosigilo Grimorio Sexual del Grupo\u00a0Fidex,<\/span><\/i>\u00a0Centre de Cultura Contempor\u00e1nia, Valencia, 2015.<\/span><\/li>\n
- El aula invertida: Estrategias\u00a0pedag\u00f3gicas y pr\u00e1cticas art\u00edsticas<\/span><\/i>, Fundaci\u00f3n La Posta, Valencia, 2014, comisaria: Mar\u00eda Tinoco, cat\u00e1logo.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
<\/div><\/div>Books<\/a><\/div>\n- \n
- Vila, David. <\/span>Solstici<\/span><\/i>. Diputaci\u00f3n de Valencia. 2018.<\/span><\/li>\n
- AA. VV.,\u00a0<\/span>Tu coraz\u00f3n y el m\u00edo. Escrituras Estructuras. Aproximaciones en torno a la ret\u00f3rica visual y la construcci\u00f3n del sentido,\u00a0<\/span><\/i>Centro Nacional de investigaci\u00f3n y Documentaci\u00f3n e Informaci\u00f3n teatral Rodolfo Usigli, Chiuaua (M\u00e9xico), 2016.<\/span><\/li>\n
- Vila, David,\u00a0<\/span>Metamorfosis<\/span><\/i>, Pasionporloslibros, Valencia, 2016.<\/span><\/li>\n
- VV. AA.,\u00a0<\/span>Culo o Codo. El aula invertida: estrategias pedag\u00f3gicas desde la diversidad sexual,<\/span><\/i>\u00a0Fundaci\u00f3n La Posta, 2014.<\/span><\/li>\n
- Vila, David, \u00abCiclogenesis expulsiva\u00bb y \u00abPolvo\u00bb, en VV. AA.,\u00a0<\/span>Plexo de Fidex en Es Polvor\u00ed<\/span><\/i>, Pasionporloslibros, Ibiza, 2014.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
<\/div><\/div>Magazine articles<\/a><\/div>\n- \n
- Vila, David, et al<\/em>., \u201cLa Magia de la Fundici\u00f3n\u201d, UMH Sapiens n\u00ba14<\/em>, Oficina de comunicaci\u00f3n UMH, Elche, 2016.<\/li>\n
- AA.VV., \u201cParlem d\u00b4Art… Amb David Vila\u201d, La LLoca: Revista anual de l\u00b4Associaci\u00f3 Cultural D\u00b4Antella CILIM<\/em>, Asociaci\u00f3n Cilim, Antella, 2007.<\/li>\n<\/ul>\n<\/div><\/div>\n
<\/div><\/div>Curatorship<\/a><\/div>\n- \n
- Bronce.Arte: Fundici\u00f3n Art\u00edstica Contempor\u00e1nea<\/span><\/i>. Palau Altea Centre D\u2019arts 2019, Cat\u00e1logo.<\/span><\/li>\n
- De 0 a 100, 2016<\/span><\/i>, Fundaci\u00f3n Frax, 2016, cat\u00e1logo.<\/span><\/li>\n
- Fusi\u00f3n B3A4, Fundaci\u00f3n Frax, 2014, cat\u00e1logo.<\/span><\/li>\n
- Quimera<\/span><\/i>, Fundaci\u00f3n Frax, 2013, cat\u00e1logo.<\/span><\/li>\n
- CreatxrsPro4.5<\/span><\/i>, Fundaci\u00f3n Frax, 2012, cat\u00e1logo.<\/span><\/li>\n<\/ul>\n<\/div><\/div>\n
- De 0 a 100, 2016<\/span><\/i>, Fundaci\u00f3n Frax, 2016, cat\u00e1logo.<\/span><\/li>\n
- AA.VV., \u201cParlem d\u00b4Art… Amb David Vila\u201d, La LLoca: Revista anual de l\u00b4Associaci\u00f3 Cultural D\u00b4Antella CILIM<\/em>, Asociaci\u00f3n Cilim, Antella, 2007.<\/li>\n<\/ul>\n<\/div><\/div>\n
- AA. VV.,\u00a0<\/span>Tu coraz\u00f3n y el m\u00edo. Escrituras Estructuras. Aproximaciones en torno a la ret\u00f3rica visual y la construcci\u00f3n del sentido,\u00a0<\/span><\/i>Centro Nacional de investigaci\u00f3n y Documentaci\u00f3n e Informaci\u00f3n teatral Rodolfo Usigli, Chiuaua (M\u00e9xico), 2016.<\/span><\/li>\n
- The Collector.<\/span><\/i> M\u00e1laga, 2019.<\/span><\/li>\n
- De cuerpo presente<\/span><\/i>. Museari. Comisarios: Ricard Huerta y German Espinarch. 2019.<\/span><\/li>\n
- Solstici.<\/span><\/i>\u00a0Sala de les Columnes de X\u00e1tiva. Comisario: Gustavo Morant.Cat\u00e1logo. 2018.<\/span><\/li>\n
- Diploma de estudios avanzados por la Universidad Miguel Hern\u00e1ndez, 2010.<\/span><\/li>\n
- Doctor en Bellas Artes por la Universidad Miguel Hern\u00e1ndez, 2015.<\/span><\/li>\n
![\"\"](\"\/\/campusaltea.umh.es\/wp-content\/plugins\/revslider\/public\/assets\/assets\/dummy.png\" "\\"David")
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