He considers himself a producer of aesthetic sense and (un_artist).<\/p>\n His presence in the gallery and creative context has been deeply critical and complex, participating in various attitudes and artistic and productive movements throughout the 80s and 90s that led him increasingly to conceptual, dilettante and iconoclastic territories, which is where today he focuses his interest and his always experimental production.<\/p>\n His work is present in the Museo Centro de Arte Reina Sof\u00eda (MNCARS), la Caixa, Artium, Museo Patio Herreriano, CAB of Burgos, La Panera of Lleida, the Ulster Museum in Belfast, the German Foundation for Development of science in Bonn, or Marugame Hirai in Tokyo, among many other public and private institutions.<\/p>\n He has published numerous essays in the field of aesthetics and art, participated in the conduct of research conferences and research meetings and developed communications. An interesting part of his professional profile refers to his years as Senior Director of the Telef\u00f3nica Group where he participated in the development of international on-line activities and enterprises of this Spanish company.<\/p>\n<\/div> Despu\u00e9s de la fiebre del oro. Influencia, estructura disipativa y horizonte de suceso en la concepci\u00f3n del objeto art\u00edstico como artilugio aleg\u00f3rico, 2012, cum laude.<\/em><\/p>\n<\/div><\/div>\n![\"\"](\"http:\/\/campusaltea.umh.es\/files\/2016\/10\/Maldonado1.jpg\")
<\/a><\/p>\n<\/div>\nJos\u00e9 Maldonado G\u00f3mez<\/h4>\n
\nHe has collaborated with artists, activists, and critics in the creation of agitation projects and cultural revitalization.<\/p>\n
\nAdditional information<\/h5>\n
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