{"id":4079,"date":"2016-10-13T19:29:48","date_gmt":"2016-10-13T19:29:48","guid":{"rendered":"http:\/\/campusaltea.umh.es\/?page_id=4079"},"modified":"2020-03-26T10:12:59","modified_gmt":"2020-03-26T10:12:59","slug":"pilar-escanero-de-miguel","status":"publish","type":"page","link":"https:\/\/campusaltea.umh.es\/en\/pilar-escanero-de-miguel\/","title":{"rendered":"Pilar Escanero de Miguel"},"content":{"rendered":"

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Pilar Escanero de Miguel<\/h4>\n

Member of the Bernia Research Group since its establishment in 2007. His research has developed in the field of contemporary art, in particular certain aspects of contemporary painting and art criticism (Reflexiones \/ “Reflections”), Alicante, 2001); gender issues (La mujer y el arte. Mujeres artistas de Canarias \/ “Women and art. Female artists from the Canary Islands”, Las Palmas de Gran Canaria, 2007); and questions of art, territory and landscape. On the latter issue he has directed six international congresses “Support \/ Surface” held at the UMH between 2009 and 2014. In this sense he has dealt with the works of artists whose central theme is the relationship between art and territory, as C\u00e9sar Manrique (C\u00e9sar Manrique. Coraz\u00f3n y alma tel\u00farica de Lanzarote \/ “Telluric heart and soul of Lanzarote”. Ed. Foundation Ca\u00f1ada Blanch, Valencia. 2011); and Miguel Angel Blanco (“La piel de la naturaleza en la obra de Miguel \u00c1ngel Blanco” \/ “The skin of nature in the work of Miguel Angel Blanco”, Ed. Foundation Ca\u00f1ada Blanch, Valencia. 2015, etc).<\/p>\n

He has been curator since 1996 and a member of the Interuniversity Council of Art History Valenciano, CIVHA, since its founding in 2013.<\/p>\n<\/div>

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Additional Information<\/h5>\n
Fields of interest<\/a><\/div>
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